Becca Edwards Photography 





Instagram - @beccavisuals_

Email - beccaedwardsphotography@outlook.com






Documentary and Music



Becca Edwards is a London-based documentary and music photographer who explores themes of intimacy, memory, abstraction and social justice. Her photographic education began at the age of thirteen and progressed through GCSE, A-level, and degree-level education. Most recently, she is a graduate of the University of the Arts London, having studied for a BA in Photojournalism and Documentary Photography at the London College of Communications. Her debut work, "Essence", a raw and intimate insight into sisterhood, was exhibited at Copeland Gallery Peckham in March 2024. Edwards's expanding practice includes music photography, where she experiments with distorted light and atmosphere, alongside ongoing work addressing environmental and human rights issues, particularly those affecting women and marginalised communities.






Education
University of the Arts London
BA Photojournalism and Documentary Photography
2022-2025

Peter Symonds College
A-Level Photography, Law, Sociology
2019-2021





Exhibitions

Copeland Gallery, Peckham
Essence, 2024






Paul Sousek, being lifted by four officers to a police van, Just Stop

Oil requires all protesters to participate in a ten-hour training

session before they may participate in a protest where they are taught

to go limp and lay down after arrest, forcing officers to carry

arrestees. This method is often frowned upon by the public due to

the requirement of more officers on duty, therefore using taxpayer money.
Just Stop Oil graffiti on a map at London Bridge
Teresa Norton, 65, an ex-counciler for the Labor party and a notable member of Just Stop Oil and Insulate Britain, sat at a

coffee shop across from The Royal Courts of Justice, as seen in the window reflection, in Westminster London. October 27th,

2023, before the group trial for participation in the 2022 M25 Just Stop Oil blockade protest.
Before the march on the 20th of November 2023, An elderly member of the group stood in Trafalgar

Square, supporting the November march. His shirt

reads: “ keep the coal in’t hole, oil in’t soil, gas in’t

ground, that’s just carbon sense”
Callum Goode, 24, being arrested for marching with

Just Stop Oil for the eighth time, laying across Craig’s

Court while officers walk down Whitehall Road




 Just Stop Oil







Just Stop Oil is a UK climate activist organization who are known for traffic obstructions and civil resistance to oppose the licensing

of new gas and oil production, but are they really helping the cause that they are campaigning for? In this photojournalistic style

series, I took a look into the infamous establishment primarily known for the 2022 M25 protest, getting to know some of the

members and leaders, and deeply researching their views, actions and publicity. The focus of this study was their November 2023

campaign, which was planned to coincide with their most prolific protesters trials, at the royal courts of justice, where eleven

members were tried in late October. majority of UK citizens agree that climate change is an issue, a survey from Bristol

University found that 68% of participants disapprove of the organization, with some arguing the methods used actually prevent the

public from supporting climate change campaigns by giving the mission a bad name. So, with their main aim to simply bring the

public and politicians' attention to the issue, are they really helping or hurting the climate cause?






Shambles
“Shambles” is an ongoing photo series documenting the chaos of my childhood home, shaped by my parents’ hoarding habits. These images capture the extravagant mess I grew up in, the layers of objects and memory within the space, revealing how disorder shaped my emotional landscape. This work is both a confrontation and a reflection: an attempt to find clarity in the wreckage of a space that was never truly mine.







Music photography





Essence
Essence offers a deeply personal exploration of my adult relationship with my sister during

our time living in the same city after four years of separation. This series delves into the

nuances of our sibling connection, tracing elements that have endured since childhood and

evolved over the years. The initial inspiration for this project stemmed from William

Wordsworth’s poem ‘To A Butterfly,’ where he expresses nostalgia for childhood and deep

affection for his sister Dorothy. The series unfolds across three occasions: a casual evening in

my sister’s flat, a day out in Deptford, and a visit to our childhood home. Lydia Goldblatt’s

work, Fugue, played a significant role in shaping the composition of these images.







The Perpetual Sub-Bass
The Perpetual Sub-Bass is a photographic and mixed media project that explores the systemic absence and underacknowledgment of women within the drum and bass (DnB) music scene. The work responds to personal and collective experiences of marginalisation in spaces shaped by male dominance, focusing on the quiet violence often overlooked.









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